Onassis Stegi - Online Technical Rider

Audio Equipment

Video Equipment

Plans

Venue Spaces

The facility boasts an impressive architectural and functional design, encompassing sixteen levels. This multi-story structure allows for a diverse range of activities and services across its numerous floors, providing flexibility in its use and layout.

A highlight of the venue is its 880-seat theater, a spacious and well-equipped auditorium ideal for a variety of events. This theater can host live performances, film screenings, theatrical productions, conferences, and other large gatherings, offering a comfortable and immersive experience for the audience.

The venue's design includes a generous 18,000 square meters of internal floor space, accommodating a wide array of amenities and facilities. This substantial area can house multiple event spaces, rehearsal rooms, exhibition halls, meeting rooms, administrative offices, and common areas such as lobbies and lounges. The expansive floor space ensures that the venue can cater to both large-scale events and more intimate gatherings simultaneously, making it a versatile destination.

This combination of a large theater, extensive floor space, and multiple levels indicates that the venue is well-suited for a dynamic range of uses, from performing arts and entertainment to business conferences and exhibitions. Its capacity and layout provide ample opportunities for creative programming and event hosting, making it a central hub for cultural and social activities.

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Main Stage

An 880-seat amphitheater. The multiplicity of potential stage and lighting configurations make it possible to use this impressive auditorium for a range of large-scale events, from theatrical and dance performances, concerts and cinema screenings to lectures and concerts.

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Upper Stage

A 185-seat auditorium which can be used for smaller-scale theatrical, music and dance performances, presentations, lectures, cinema screenings (multimedia, virtual reality), seminars and conferences.

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Exhibition Hall

A 700 sq. m. space on the building’s underground level specially-designed for exhibitions and other activities.

Venue Details

Support Spaces

Small Rehearsal Hall on the 4th floor

Other rehearsal studios on the -3 floor

Car Parking

Underground Car-Parkings Areas

Onassis Stegi offers free of charge parking to its visitors during their stay in the building. Inside the Onassis Stegi building there are underground parking facilities, with a capacity of 150 car parking spaces, which are offered for free to its visitors upon presenting their tickets. Parking is offered on a first-come first-served basis until full capacity is reached. There are designated places for people with reduced mobility (PRM) at all levels of the building, next to the elevators. Parking entrance is on Leontiou street.

Emergency Exits

Positioned strategically throughout, these exits provide clear routes for rapid evacuation during emergencies such as fires or other hazards. Marked with illuminated signage, they guide individuals to outdoor assembly areas or designated safe zones swiftly and efficiently.

Accessibility

How to Get to Onassis Stegi

Wheelchair access is available throughout the building.

By Bus or Trolley-Bus

Take a bus or trolley-bus to the "Panteion" stop. If you're heading downtown, the stop is just 10 meters from the entrance to Onassis Stegi. For those coming from the city center or the Syngrou-Fix Metro station, use the pedestrian underpass in front of Panteion University to cross Syngrou Avenue.

By Metro

Take the Red Line (Line 2: Anthoupoli - Elliniko) and exit at "Syngrou-Fix". Follow the signs for the “Exit to Syngrou/Drakou” to reach Syngrou Avenue. From there, you can:

Take a bus or trolley-bus from the stop in front of the Metro escalators on Syngrou Avenue, and get off three stops later at "Panteion".
Walk: It’s a 12-minute walk down Syngrou Avenue to Panteion University. Use the pedestrian underpass to cross to the other side of Syngrou Avenue.

By Car

Onassis Stegi provides free parking for visitors. The venue features underground parking with a capacity of 150 spaces, available on a first-come, first-served basis. Parking entrance is located on Leontiou street. There are designated parking spots for people with reduced mobility (PRM) near the elevators.

Accessibility

Wheelchair access is available via a ramp at the building’s side entrance, located at the corner of Leontiou and Syngrou. All upper floors are accessible by elevator, ensuring wheelchair accessibility throughout the building.

Seating

Orchestra: 880 Seats
Balcony: 400 Seats
Dedicated Wheelchair positions: 6
Removable Seats (to accommodate wheelchairs) 22
Seats Lost for Sound Mix Position(s) 8 to 14 per pos
(2 orchestra locations, 1 Balcony location)

Loading Dock / Lifts / Doors

Ramp Area

Dimensions: 3.91m X 6.12m

External Role in the ramp area

Dimensions: 4.44m x 4.84m

Internal Role in the ramp area

Dimensions: 2.55m X 3.88m

Ramp Lift

Dimensions: 3.30m X 1.54m X 1.08M

Main Stage Doors

Sliding Door

Dimensions: 4.20m X 3.90m X 5.00m

Double Leaf Doors

Dimensions: 1.47m X 2.10m

Upper Stage Doors

Double Leaf Doors

Dimensions: 1.76 X 2.10m

Back of House

Glass Doors of 5th Floor Corridors

Dimensions: 1.00m X 2.16m

Venue Lifts

Cargo Lift

Dimensions: 1.74m x 4.53m x 2.57m

Leontioy Street Lift

Dimensions: 1.38m x 1.48m x 2.19m

Galaxia Street Lift

Dimensions: 1.43m x 1.29m x 2.17m

Undeground -9 Lift

Dimensions: 1.15m x 1.23m x 2.16m

Smoke Management System

A theater smoke management system is designed to control and manage the presence of smoke within a theater or performance venue. It's a crucial safety feature that helps maintain visibility and evacuate occupants safely in the event of a fire or other emergency.

Overview

Detection: Smoke detectors are strategically placed throughout the theater to detect the presence of smoke.
Alarm: When smoke is detected, the system triggers alarms to alert occupants and staff of the potential danger.
Smoke Control: The system activates mechanisms to manage the smoke.

Smoke Exhaust: Ventilation systems are activated to remove smoke from the building.
Pressurization: Positive pressure systems may be employed to prevent smoke from entering certain areas.
Smoke Curtains: Deployable curtains or barriers may be used to contain smoke within specific areas.

Evacuation Assistance: In addition to managing smoke, the system may provide guidance to occupants for safe evacuation.
Integration with Fire Suppression Systems: The smoke management system is often integrated with fire suppression systems such as sprinklers.
Monitoring and Control: The entire system is typically monitored and controlled from a central control panel.

Overall, a theater smoke management system is essential for ensuring the safety of both performers and audience members in the event of a fire or other emergency situation.

Work Rules and Working Hours

Working Hours

Our working hours start from 09:00-23:00. In some rare occasions working hours can be altered.

Work Rules

Operation of Venue Equipment

All equipment and systems that are part of the Onassis Stegi venue (including followspots, lighting and audio control boards, etc.) shall be operated exclusively by Onassis Stegi staff. Any audio/visual or similar equipment provided by the user may be operated by the user but is subject to prior approval for use by Onassis Stegi staff. Any interconnection of external equipment to the Onassis Stegi house system shall be carried out by, or under the supervision of, Onassis Stegi staff. Arrangements may be made in advance for Onassis Stegi staff to handle and operate user-provided equipment with the understanding that Onassis Stegi shall not be held responsible for any improper use, damage, or loss of the user’s equipment.

Rigging and Stage Sets

All rigging, as well as operation of the house curtain, stage fly system, and pit lift, shall be supervised and solely operated by Onassis Stegi staff. Prior arrangements may be made for Onassis Stegi staff to set up and operate user-provided stage equipment, sets, and moving scenery with the understanding that Onassis Stegi shall not be held responsible for improper use, damage, or loss of the scenery or equipment.

Set and Prop Fabrication

The fabrication of sets and props is prohibited within Onassis Stegi. All scenery should be fabricated and painted off-site and assembled on stage. Any operations that introduce fine dust or mist into the venue environment—such as routing, sanding, and spray painting—are strictly prohibited.

Unsupervised Minors

Unsupervised minors are not permitted in the Onassis Stegi complex. Any organization or individual using the venue must provide constant supervision of any minor associated with their team while on the premises.

Production Personnel Only

Only production personnel are allowed on stage during load-in and strike. Due to increased potential hazards during these times, non-essential personnel shall be excluded from the stage and other work areas, as determined by the Onassis Stegi Director or their designee. This restriction may also be extended to rehearsals and performances as required.

Work Schedules

Work schedules must conform to established collective bargaining agreements and policies. Work periods shall not exceed five hours without a one-hour meal break, during which the stage will be closed. Schedule planning should include meal breaks and aim to avoid excessive overtime (any time after 12 hours). Other work rules may impact scheduling and associated costs.

Technical Equipment

Audio Equipment

Main Stage

Control Positions

Control Room

Level 1, located behind and above the last level of seating. Sliding glass panels separate the control room from the auditorium.

Auditorium Stalls Position

A dedicated mix position at the center of the auditorium.

Main PA System

All equipment is shared between both stages, except for items that are permanently installed.

Total	Equipment	Type	Notes
1	AVID VENUE S6L-32D Control Surface (64in-24out) + Engine E6L-144 + Local 16 I/O Rack	Audio Mixer	Auditorium
2	Usb Interface Motu 828x	Sound Card	Portable
1	RME FIRE FACE 800	Sound Card
1	QLAB 5.4	Playback System
8	CROWN DSI-2000	Amplifiers	Permanently installed
12	D&B audiotechnik D-12	Amplifier	Permanently installed
8	D&B audiotechnik D-6	Amplifier	Permanently installed
26	D&B audiotechnik T-10	FOH Speakers	Permanently installed
8	D&B audiotechnik B4 Sub	FOH Speakers	Permanently installed
6	D&B audiotechnik B4 Sub	FOH Speakers
8	D&B audiotechnik B6 Sub	FOH Speakers
18	D&B audiotechnik E0	Auditorium 1st balcony delay Speakers	Permanently installed
6	D&B audiotechnik E8	1st balcony delay Speakers	2x Permanently installed
4	D&B audiotechnik Ci80	2nd balcony delay Speakers	Permanently installed
22	JBL 8320	Auditorium and balconies surround L-R	Permanently installed
12	Klipsch KL-7800-THX	Auditorium and balconies surround BL-BR	Permanently installed
8	D&B audiotechnik M4	Monitor LoudSpeakers
8	D&B audiotechnik Max12	Monitor Loudspeakers
12	Genelec 8030A	Bi-amplified Loudspeakers	Permanently installed x3 in Control Room

Snakes

Total	Equipment	Type	Notes
1	48 Channels Snake	Multicable	Permanetly installed

Microphones / Di's

Total	Equipment	Type	Notes
16	Shure SM58	Dynamic Mic
12	Shure SM57	Dynamic Mic
3	Shure BETA91	Condenser Mic
1	Shure BETA52	Dynamic Mic
4	Shure BETA58	Dynamic Mic
4	Shure BETA57	Dynamic Mic
6	Shure MX 412	Condenser Mic
4	Shure MX 418	Condenser Mic
1	EV RE20	Dynamic Mic
10	Neumann KM184	Condenser Mic
4	Neumann KMS104	Condenser Mic
2	Beyer M88TG	Dynamic Mic
2	AKG C-414B-XLS	Condenser Mic
1	AKG D-112	Dynamic Mic
6	DPA 4099	Condenser Mic
6	SCHOEPS cmc5 +MK2	Condenser Mic
6	SCHOEPS cmc5 +MK4	Condenser Mic
4	CROWN PCC 160	Boundary Mic
1	DPA 3506 kit W.4006-TL	Stereo Recording Mic
2	GEFELL M930 KIT	Condenser Mic
6	SENNHEISER MKH 416 P48 U3	Condenser Mic
2	SENNHEISER MKH70	Condenser Mic	Permanently Installed
2	SENNHEISER MKH60	Condenser Mic
4	SENNHEISER E 604	Dynamic Mic
4	AUDIOTECHNICA PRO 35	Dynamic Mic
12	BSS AR-133	Active DI
14	Radial PRO D2	Stereo Passive DI
7	Radial PRO D1	Mono Passive DI

Wireless System Microphones

Total	Equipment	Type	Notes
2	Shure AD4Q AXIENT Digital Receiver	4ch diversity receiver 470Mhz-636Mhz	Permanently Installed
2	Shure UA845SWB	Antenna Distributor	Permanently Installed
2	Shure UA870WB	Directional Antenna	Permanently Installed
16	Shure Transmitter ADX1M G56	Shure AXIENT Bodypack 470-636Mhz
16	Shure Transmitter ADX2FD G56 WS Mic	Shure AXIENT WS MIC Beta58 470-636Mhz
21	DPA 4066	Headband Mic
8	DPA 4060FM	Sub miniature mic
4	DPA SC4061FM	Sub miniature mic

Microphone Stands

Total	Equipment	Type
40	KM 210/8	Tall boom
20	KM 259	Short boom
10	KM 210/10	Tall boom Heavy duty
10	KM 233	Table top 40cm
10	KM 232	Table top 10cm
2	Bespeco	Round Base

Cabling

Onassis Stegi is well-stocked with cables to accommodate all its equipment needs.

Communications

Stage Managers Console

The Stage Managers Console (SMC) is positioned within a two-meter radius of the patch bay, either at the prompt side or opposite prompt side wing. It features a three-channel talkback system, light, clock, and phone.

Talkback

Master Unit

4x Trilogy – 3ch intercom station (SMD,LIGHTS,VIDEO,SSL)
Portable stations input through patch panel
from any mic input as well as selected SCB
locations throughout hall.

Total Sub Stations

30x Clear – com RS602 beltpack
10x Clear – com RS601 beltpack

Total Headsets

30x Clear-com cc-95
10x Clear-com cc-26
10x Canford tecpro SMH210

Total Radio Units in-house

10x Clear-com FS-BP wireless belt pack

CUE Light System

In house cue light system available with control and stage from SMC.

Paging and Show Relay

Paging and show relay is separated into the following zones:

FOYER 0-1-2-3
FOYER 5 - CONFERENCE
FOYER 4 - PUBLIC LIBRARY
DRESSING ROOMS
B5 - EX HALL
F01 - BAR
B4 - REHEARSAL ROOM

Important Notes

L-C-R FOH speakers are rigged on chain motors (permanently installed).
House EQ is set for voice reinforcement and will not be changed.
Hall has excellent acoustics.
House Mic Input Locations (General) LK Connectors:

12 channels at stage left
12 channels at stage right
12 channels at back left
12 channels at back right

Maximum SPL level >100dB.

Upper Stage

Control Positions

Control Room

Level 6, behind and above last level seating. Sliding glass panels separate control room from the auditorium.

Main PA System

All equipment is shared between both stages, except for items that are permanently installed.

Total	Equipment	Type	Notes
1	AVID S6 L-24D	Audio Mixer	Control Room
1	LEXICON PCM 92	FX	Control Room
1	LEXICON PCM 96	FX	Control Room
1	TC M4000	FX	Control Room
1	TM M3000	FX	Control Room
1	QLAB 5.4	Playback System
1	Crown DSI-2000	Amplifier	Permanently installed
1	D&B audiotechnik D-6	Amplifier	Permanently installed
6	D&B audiotechnik D-12	Amplifiers	Permanently installed
4	JBL 8320	Auditorium Surround Back L-R Speakers	Permanently installed
3	D&B audiotechnik E-12	FOH Speakers (L-C-R)	Permanently installed
2	D&B audiotechnik E-12	FOH Speakers Stack (L-R)	Permanently installed
2	D&B audiotechnik B4Sub	FOH Speakers (L-R)	Permanently installed
2	D&B audiotechnik B6Sub	FOH Speakers (L-R)	Permanently installed
6	D&B audiotechnik E0	Auditorium surround L-R Speakers	Permanently installed
6	D&B audiotechnik E-12	Monitor Loudspeakers
2	Genelec 8240A	Bi-amplified Loudspeakers	Permenantly installed in Control Room

Snakes

Total	Equipment	Type	Notes
1	48 Channels Snake	Multicable	Permanetly installed

Microphones / Di's

Total	Equipment	Type	Notes
2	Senheiser MKH60	Condenser Mic	Permanently installed
4	Radial Pro D2	Stereo Passive DI

Wireless System Microphones

Total	Equipment	Type	Notes
4	Shure AD4Q AXIENT Digital Receiver	4ch diversity receiver 470Mhz-636Mhz	Permanently Installed
1	Shure UA845SWB	Antenna Distributor	Permanently Installed
2	Shure UA870WB	Directional Antenna	Permanently Installed
8	Shure Transmitter ADX1M G56	Shure AXIENT Bodypack 470-636Mhz
8	Shure Transmitter ADX2FD G56 WS Mic	Shure AXIENT WS MIC Beta58 470-636Mhz

Cabling

The theater has a good stock of cables to accommodate all the venue's equipment.

Communications

Stage Managers Console

The Stage Managers Console (SMC) is positioned at the left side of the control room in a booth. This enables control of paging, house lights and features two channel talkback, light, clock and phone.

Talkback

Master Unit

1x Trilogy – 2ch ring intercom

CUE Light System

In house cue light system available with control and stage from SMC.

Paging and Show Relay

Paging and show relay is separated into the following zones:

FOYER 0-1-2-3
FOYER 5 - CONFERENCE
FOYER 4 - PUBLIC LIBRARY
DRESSING ROOMS
B5 - EX HALL
F01 - BAR
B4 - REHEARSAL ROOM

Portable Equipment

6x d&b audiotechnik D-12 Amplifiers

2x Shure UA845SWB Antenna Distributor

2x Shure UA870WB Directional Antenna

3x Shure UR4D 790-865Mhz 2ch diversity receiver

1x Midas Pro-1 24in-24out Mixer

1x Yamaha LS-9 16in-8out Mixer

Translation System

249x Bosch Lighweight Headphones LBB3443/00

249x Bosch LBB4540 Pocket Receivers

2x Translation Booths

4x Bosch Mixer set interpreter desk dcn-idesk-d

2x Bosch translation system Dcn-Ccu

2x Bosch transmitter system Int-Tx 08

4x Bosch expander Lbb 4402/00

12x Bosch IR radiator Lbb 4511/00

Important Notes

L-C-R FOH speakers are rigged on specificated clamps (permanently installed)
House EQ is set for voice reinforcement and will not be changed.
Hall has excellent acoustics.
House Mic Input Locations:

12 channels at back left with LK
12 channels at back right with LK
24 channels around the stage as tie lines

Maximum SPL level >100dB.

Overview

Video Equipment

Main Stage

Projection Equipment

Barco DP2K-20C Digital Cinema Video Projector

This projector is 18.500 lumen with maximum resolution of 2048x1080 pixels. Installed permanently in a soundproof box on the 2nd balcony. Connected to the control room via fiber optic cable. Built-in shutter controlled with special software via network. Installed Lens 0.98" DC2K (1.6-2.5). With this lens at 1.6:1 the projector can achieve the following screen dimensions.
1) At a distance from the proscenium of 17.3m. The maximum screen size width is 10.3m.
2) Distance from Cinema Screen on flybar 24 is 24m. Maximum screen size at that distance is 15m.
3) Distance from the last flybar of the stage is 32m. Maximum screen size at that distance is 19m.

Built-in Cinema Media Player Dolby IMS 2000.Can ingest DCP Movies with USB3.0. Connected via network with a Dolby CP2000 Audio Proccessor.

Projection Surfaces

In the table below, you'll find references to two primary projection surfaces, along with various other specialized surfaces.

The first is a Harkness perforated cinema screen made of PVC in white. It is framed and suspended on flybar #24, with maximum usable dimensions of 10.3x5.3 meters. This screen is versatile and can be relocated to other flybars as needed.

The second surface is a Cyclorama Opera made of PVC in Grey Blue. This cyclorama can be easily moved to any flybar.

Main Surfaces	Dimensions	Gain
Harkness Perforated Cinema Screen PVC white / Framed with black borders	10.3x5.3m	Front gain 0,8
Cyclorama Opera PVC Grey Blue	17x9m	Front gain 0,46/ Rear gain 0,26
Alternative Surfaces	Dimensions	Gain
Gerriets Rear Translucent Black	12x8m	Front Gain: 0.14:1 / Rear Gain: 1.25:1
Gerriets PVC Grey Blue	4,9x7m	Front Gain: 0.31:1 / Rear Gain: 0.24:1
Peroni PVC Nerissimo Rear Black	11,2x5,3m	Screen_PNE 180P
Gerriets FALSTAFF 1150 6-point Sharkstooth Grey	10.8x7m	Transparent Scrim 96% Cotton

Signal Distribution

The stage is connected to the Control Room using a combination of fiber optic and coaxial BNC cables, supplemented by various video converters. This setup enables seamless conversion of all signal types, including HDMI, DVI, and SDI, with support for 4K video signals as well.Furthermore, custom junction boxes are strategically placed on the stage, offering interfaces for SDI and Fiber LC-LC connections.

Stage Countdown Timer

A Video monitor Toshiba LCD 32 32AV733DG is located in the middle of the 1st balcony viewing the stage. Usable as a countdown timer for presentations.

A countdown software is used that can be controlled from the SM desk.

Surtitling

The surtitles system includes three (3) LED ABSEN Polaris PL V2 P3.9 screens, offering high-definition clarity for audiences. Two smaller screens, each measuring 2x0.5 meters, are positioned on the proscenium, strategically placed for optimal viewing from the front seats. The larger screen, measuring 4x0.5 meters, hangs above and can be repositioned within the stage area to ensure maximum visibility for viewers across the venue. All screens are equipped with a pixel pitch of 3.9mm, ensuring crisp, clear text even from a distance.

Additionally, the system is integrated with an Apple MacBook Pro running Glypheo surtitling software, though it is compatible with other computers and programs, offering flexibility for different technical setups.

The system is capable of displaying up to four lines of text, making it suitable for showing content in two different languages simultaneously, ensuring accessibility for a diverse audience. Furthermore, the brightness of the screens can be easily adjusted to meet the specific lighting conditions of the performance, ensuring optimal readability at all times.

As an alternative, surtitles can also be projected onto a grey wooden surface measuring 6x0.6 meters, providing a traditional projection option for those preferring a more classic setup. This option is especially useful in venues where the LED screens might not be ideal or when a different visual aesthetic is desired.

Outside Broadcasting

From the side of Galaxia street, we provide a connection box for 20 cameras.

10 TRIAX Coaxial Push-Pull
10 LEMO SMPTE Fiber HDTV Push-Pull
3 BNC Coaxial for program in/out. Composite, SDI, HD-SDI.

The same box exists from the other side of the building at Leontiou Street.

Inside the building there is a patch panel with all these connections

We can freely distribute them in the predestinated locations (white & green labels) inside the Stage and the Amphitheater. A total of 9 connection points are available.

Video Playback & Video Feed System

Main Media Server > Apple Mac Studio M2 Ultra chip with 64GB of unified memory. Connected via HDMI to our main video mixer. Running software such as Millumin, Resolume, QLab.

Backup Media Server > Apple Mac Pro with an Intel XION chip and 32GB of RAM. Connected via HDMI to our Main Video Mixer.Running the same software as the Main Media Server.

Both the Main and the Backup Media Server have PCI-E or External Video Capture Cards. VIDEO-IN 8x 1080p60 / 4x 2160p60

Video Switching

ATEM Television Studio 4K8, a robust Ultra HD live production switcher equipped with a built-in broadcast control panel. This powerhouse offers a fully-featured broadcast-quality live production studio experience, featuring:

8 12G-SDI inputs
10 12G-SDI auxiliary outputs for external recorders
4-port 10G Ethernet switch
Built-in streaming capabilities
Master recorder
Multiview support
USB webcam compatibility
2 DVEs (Digital Video Effects)
SuperSource functionality
4 ATEM Advanced Chroma Keyers
2 media players
Talkback functionality

Infrared Camera

One SD infrared camera provides a clear view of the entire stage in pitch black.

Show Relay Cameras

A Full HD SONY PTZ Camera provides a clear view of the entire stage. Video show relay is been transmitted to various locations across the building.

Upper Stage

Projection Equipment

Barco DP2K-15C video projector

One (1) Barco DP2K-15C 14.500 lumen with maximum resolution of 2048x1080 pixels. Permanantly installed in a soundproof box inside the Control Room. Available video inputs DVI and SD/HD-SDI. Built-in shutter controlled with special software via network.

Installed Lens "0.98 DC2K (2.4-3.9)". With this lens at 2.4 the projector can achieve the following projections screen sizes.

Distance from the wall of the stage 18m. Maximum projection width at that distance is 7.5m.

Distance from the "Cinema Screen" approx. 16.5m. Maximum projection width at that distance is 6.9m.

DOLBY IMS 1000

Cinema Media Player Dolby IMS 1000

Projection Surfaces

One (1) Harkness cinema screen PVC white. Permanently installed on the rear of the Stage.Dimensions 6x3m.

Surtitles

Video projected surtitles with a Panasonic PT-DW6300ELK (FullHD) with lens 2.4-3.8:1

Projection surface for the surtitles is a dark grey wooden surface with dimensions 2.5 x 0.60m

Outside Broadcasting

From the side of Galaxia street, we provide a connection box for 20 cameras.

10 TRIAX Coaxial Push-Pull

10 LEMO SMPTE Fiber HDTV Push-Pull

3 BNC Coaxial για program in/out. Composite, SDI, HD-SDI.

The same box exists from the other side of the building at Leontiou Street.

Three (3) connections are available for the Small Hall.

Video Playback

Main Media Server > Apple Mac Studio M2 Ultra chip with 64GB of unified memory. Connected via HDMI to our main video mixer. Running software such as Millumin, Resolume, QLab.

Backup Media Server > Apple Mac Pro with an Intel XION chip and 32GB of RAM. Connected via HDMI to our Main Video Mixer.Running the same software as the Main Media Server.

Video Switching

8 12G-SDI inputs
10 12G-SDI auxiliary outputs for external recorders
4-port 10G Ethernet switch
Built-in streaming capabilities
Master recorder
Multiview support
USB webcam compatibility
2 DVEs (Digital Video Effects)
SuperSource functionality
4 ATEM Advanced Chroma Keyers
2 media players
Talkback functionality

Infrared Camera

One SD infrared camera provides a clear view of the entire stage in pitch black.

Show Relay Cameras

A Full HD SONY PTZ Camera provides a clear view of the entire stage. Video show relay is been transmitted to various locations across the building.

Portable Equipment

Led Wall Screens

100 square meters of Absen Polaris V2 P3.9mm and 50 square meters of Absen Polaris V2 P2.97mm LED WALL.

Self-standing stacking system requires just 1.6 meters of depth yet reaches a towering height of 5 meters, offering both compactness and stability. The rigging system supports widths of up to 12 meters.

Novastar-powered LED processing guarantees unparalleled clarity, vibrancy, and reliability. Novastar MX40, Novastar VX1000 and Novastar MCTRL4K.

Absen Polaris V2 Website

Novastar Website

Projectors

Quantity	Brand / Model	Lenses
2	Christie / Roadster HD14K-M	0.67:1 ILS lens, 1.4-1.8:1 ILS lens, 1.8-2.6:1 ILS lens
2	Epson / EB-PU1008B	0.35:1 lens, 1.04:1-1.46:1 lens

Lighting Equipment

Main Stage

Fixed Beam Angle Luminaires

Type	Quantinty
ETC Source 4 750W Profile Spot 5°	8
ETC Source 4 750W Profile Spot 10°	8
ETC Source 4 750W Profile Spot 14°	30
ETC Source 4 750W Profile Spot 19°	30
ETC Source 4 750W Profile Spot 26°	4
ETC Source 4 750W Profile Spot 36°	12
ETC Source 4 750W Profile Spot 50°	10

LED PROFILE

Type	Quantinty
ETC Source4 Lustr+ S3 X8 ZOOM 25/50	30

Zoom Lens Luminaires

Type	Quantinty
ADB DSN105 1200W 11°-23°Profile Spot	30
ADB DW105 1200W 15°-38°Profile Spot	50
ADB DVW105 1200W 15°-38°Profile Spot	14

Fresnel Lens Luminaires (with Barndoors)

Type	Quantinty
ADB F101 1200W 13°-59°	20
ADB SH50 5000W 9.6°-55°	2
RJ312 1200W MSR 6°-53° & Dimmer Shutter	2
RJ326LFV 2500W MSR 10°-54° & Dimmer Shutter	2

Plano-Convex Lens Luminaires (with Barndoors)

Type	Quantinty
ADB C101 1200W 10°-65°	30

Parcans

Type	Quantinty
Thomas PAR64 (CP60, CP61, CP62 as required)	60

Beam Lights

Type	Quantinty
Lighting Innovations Super Beam 1200W/80V	2

Cyclorama Flood Lights

Type	Quantinty
Thomas Single Cell Cyc flood 1250W	20
SGM Q-8	20

Moving Luminaires

Type	Quantinty
DTS ALCHEMY 7	20
ETC HALCYON TITANIUM	22

Follow Spots

Type	Quantinty
Lycian M2 Long Throw 2500W HMI	3

Type	Quantinty
Martin Atomic 3000 Strobe	4
MDG Atmosphere H.O. Haze machine	2
LOOK UNIQUE 2.1	3
LOOK VIPER NT	2
Martin AF-1 FAN	4

Control

Type	Quantinty
GrandMA II Full Size	1
GranMA II Light	1
APEX 10	1
APEX 5	1

Additional Mounting Equipment

Type	Quantinty
Doughty boom T54260 four wheels	8
Doughty nipper floor base T54100	20
Doughty telescope stand med G203601 Shadow	8

Doughty boom T54260

Doughty nipper floor base T54100

Doughty telescope stand med G203601 Shadow

Upper Stage

Fixed Beam Angle Luminaires

Type	Quantinty
ETC Source 4 750W Profile BODY	18
ETC Source 4 Spot Lens 26°	12
ETC Source 4 Spot Lens 36°	12
ETC Source 4 Spot Lens 50°	14

LED PROFILE

Type	Quantinty
ETC Source 4 Lustr+ S2 BODY	20

Fresnel Lens Luminaires

Type	Quantinty
ADB F101 1200W 13°-59° 12	20

Plano-Convex Lens Luminaires

Type	Quantinty
ADB C101 1200W 10°-65°	12

PAR Lights

Type	Quantinty
ETC Source 4 PAR 750W (WFL-MFL-NSP-VNSP)	20

Moving Luminaires

Type	Quantinty
ETC HALCYON TITANNIUM	8
DTS ALCHEMY 5	8

LED Static Wash

Type	Quantinty
SGM Q2	9

Type	Quantinty
LOOK UNIQUE 2.1	1

Control

Type	Quantinty
GrandMA II Ultra Light	1
GranMA II On PC	1
ETC APEX 5	1
ETC On PC	1

Exhibition Space

Zoom Lens Luminaires

Type	Quantinty
ETC Junior 25°/50°	12

LED PROFILE

Type	Quantinty
ETC Source4 Lustr+ S2 BODY	12

Fixed Beam Angle Luminaires

Type	Quantinty
ETC Spot Lens 50°	12

LED Static Wash Lights

Type	Quantinty
SGM Q2	15

LED Moving Wash Lights

Type	Quantinty
PROLYTE ASTRA WASH PIX	20

Type	Quantinty
LOOK UNIQUE 2.1	1

Control

Type	Quantinty
GrandMA II On PC	1
ETC ON PC	1

Overview

Stage Equipment

Main Stage

Stage Specifications

Stage Automations

Flybars

Stage Flybars

Horizontal Beams/Bars:
59 automated beams (#1 - 59), each 17.10m long, with the ability to extend 0.50m to both the right and left.
Side Bars:
4 vertical side bars (#91 - 94), each 10.86m long, positioned vertically to the stage.
Backstage Bars:
9 lineshaft-type backstage bars (#71 - 79), each 8.10m long.

Bars are composed of double metal pipes, welded together with metal supports and extra reinforcement along their surface at a min distance of 0.16m and max 1.22m and are suspended by six wires (6mm, self-lubricating) with two - way tensioners, which end at the drums of their motors in Grid +6. The upper metal tube has cross - section 7,5cm and the lower 4,8cm, the distance between these two pipes is 0,40cm.

#1 - 59, have a final height at 18.10m (below the Grid), while the sides #91 - 94, 16.50m. All flybars have lifting capacity SWL 500Kg, except of: • #2 MAIN CURTAIN and • #24 (usually) CINEMA SCREEN, which have SWL 1000Kg. On all flybars the weight / load must be appropriately shared. The #71 - 79 has final height at 7.30m and SWL 500Kg also. According to the manufacturer the SWL per point of the system:

The distance between the bars are 20cm except for the:

Numbers	Distance	Numbers	Distance
#1-2	30cm	#24-25	30cm
#2-3	25cm	#31-32	25cm
#3-4	40cm	#38-39	15cm
#9-10	15cm	#39-40	25cm
#12-13	25cm	#40-41	15cm
#16-17	15cm	#41-42	25cm
#21-22	25cm	#54-55	15cm
#23-24	25cm	#57-58	25cm

Below are the exact measurements of where each bar is located in relation to the stage floor. For example, flybar #1 @ 1.15m: When the bar is lowered to the height @Om of it path, it will be at 1. 15m of the stage floor The measurement has been taken from the beginning of the stage (Downstage) - outside the fire curtain.

Flybars	Meters at Floor
1	115
2	145
3	170
4	210
5	230
6	250
7	270
8	290
9	310
10	325
11	345
12	365
13	390
14	410
15	430
16	450
17	465
18	485
19	505
20	525
21	545
22	565
23	590
24	615
25	645
26	665
27	685
28	705
29	725
30	745
31	765
32	790
33	810
34	830
35	850
36	870
37	890
38	910
39	925
40	950
41	965
42	990
43	1010
44	1030
45	1050
46	1070
47	1090
48	1110
49	1130
50	1150
51	1170
52	1190
53	1210
54	1230
55	1245
56	1265
57	1285
58	1310
59	1330

Auditorium Flybars/Winch:

Outside and in front of the main stage, in the stalls of the theatre, there are five more automation units, flybars, for the needs of hanging technical equipment outside the stage.

Specifically, in order from the front and outward:

Surtitles Flybar with cross-section 0.48cm, 7.17m long with SWL 500kg, located at a distance of 0.45m in front of the stage floor.
Three smaller bars (cross-section 0.48cm) for SOUND EQUIPMENT, one meter long, with SWL 375kg per motor. All three bars are at 0.78m in front of the stage floor.
Truss with counterweights and wires for hanging LIGHT EQUIPMENT, maximum (truss) length 10.60m, SWL 500Kg. It is located at 2.42m from the stage floor.

All the above motors are operated also by TNM controllers (consoles) of the main stage of the theater.

TNM Controls

Trekwerk TNM Controllers

Trekwerk’s TNM controllers allow for both manual and automated control of flybars. During rigging, flybars can be operated manually, while the controllers also enable programming and storing of complex, multi-axis movements. These movements can involve different bars moving in varied directions and speeds, with no restrictions on repetition, and are saved as cues within the control software. This enables precise and safe reproduction of movements during each performance.

The system includes two TNM consoles: the TNMC-104, positioned on the stage left (SL) side, and a backup TNMC-105, usually located on gallery +3 SL, which can be moved as needed. Each console can program an unlimited number of flying cues per cue list, create multiple cue lists within the same show file, and incorporate up to ninety-nine consecutive motions under a single cue. The maximum flybar speed is 1.8 meters per second.

Additionally, simple positioning markers and limit markers can be set for accuracy. Emergency stops are located around the stage and on the consoles; activating these will immediately stop all system mechanisms in case of an emergency.

Lifts

Also on the main stage of the theatre, there are four automated electrically operated lifts units: • Two rectangular parallelogram STAGE LIFT platfoms, that located in the center of the stage floor, total measuring 7.64m x 656m with travel distance of 3m and SWL 2500kg dynamic / 28T static each:

Two rectangular parallelogram STAGE LIFT platfoms, that located in the center of the stage floor, total measuring 7.64m x 6.56m with travel distance of 3m and SWL 2500kg dynamic / 28T static each:

Two half circular platforms ORCHESTRA PIT (1, 2) located at the auditorium of the theater directly in front of the proscenium (apron), with dimensions:

With -3.50m / (+0.70m) travel distance and SWL:

Orchestra Pit 1	Orchestra Pit 2
Dynamic: 2500kg	Dynamic: 2500kg
Static: 25.5T	Static: 19.5T static

The allowing load for the lifts in the auditorium of the theatre is 750kg / m (static). The theatre lifts are all operated with spiralifts (HD9) technology. The move of the Orchestra Pits is handled by permanent extra controller SR of the stage, while at the Stage Lifts due automation console of the main stage (TNM).

Chain Hoist

Above the level of the main stage, on Grid (20m), there are eight electrical motor CM Lodestar SWL IT each, on A bases, which are used as chain hoist for either moving or fixed lifting points and can be moved across the Grid surface, with their matching bases. The movement operation can be done from the stage level with the equivalent controller that indicated only the direction choice. The movement speed is 4m/min, and the chain can reach the floor of the stage.

Equipment

Gerriets 4-way batten clew with 2T load lifting capacity equally distributed by four flybars, all from one point.

Gerriets 3-way batten clew with 1.5T load lifting capacity equally distributed by four flybars, all from one point.

Heavy Duty Truss Adaptor, Doughty SWL max 2x750Kg

Reutlinger Typ80SVIII For wire cables 6 & 8mm

Steel wire (diam. 6, 8, 10mm): 1m - 10m length • Shackles SWL 1T - 6.50T • Clamps & Hooks Doughty SWL 75kg - 750kg Spanset (Round Slings) 1m - 6m length • Tractel Tralift chain hoist 2T - IT - 0.5T All the using lifting equipment is verified by the authorized organizations and be checked base on specifications

Upper Stage

Stage Specifications

Stage Automations

In the Upper Stage there are seven (#1-7) electrically operated, automated Lineshaft type flybars, SWL 300kg, with a final height of 5m above the stage level. They consist of a single bar, pipe, diameter, with cross section 4,8cm and are held together by four 6mm diameter asystropfic wire ropes, with their reels system and the winch of each mechanism, located on the roof of the stage. The lengths of flybars are:

Flybar	Length
Flybar #1	10.12m
Flybar #2	9.75m
Flybar #3	9.10m
Flybar #4	8.40m
Flybar #5	7.88m
Flybar #6	7.80mm
Flybar #7	7.80mm

CONTROLLER: The console of the small stage is made by Trekwerk, with the option of moving one or more flybars in the same or different directions at the same time, storage of up to 10 positions (marks) and manual speed selection via joystick. On top of the console is the Emergency stop button, where pressing it stops any operation.

Portable Equipment

Chairs - Tables

Orchestra Conductor Chair
0.49m x 0.43m x 1.20m
Quantity: 1pc

Chair Type "Matrix"
0.46m x 0.44m x 0.82m
Quantity: 153pcs

Chair for Musicians
0.45m x 0.41m x 0.82m
Quantity: 120pcs

Chair for Double Bass
0.46m x 0.48m x 1.05m - 1.19cm
(adjustable height)
Quantity: 8pcs

Chair for Cello
0.43m x 0.40m x 0.69m - 0.82m
(adjustable height)
Quantity: 4pcs

Chair for Musicians Grey Color
0.43m x 0.38m x 0.85m
Quantity: 20pcs

Chair Red Color
0.40m x 0.45m x 0.87m
Quantity: 200pcs

Small Table
0.80m x 0.80m x 0.73m
Quantity: 6pcs

Large Table
1.60m x 0.80m x 0.73m
Quantity: 6pcs

IKEA Table
0.55m x 0.55m x 0.45m
Quantity: 10pcs

Large Oval Table Oak Color
0.55m x 0.55m x 0.45m
Quantity: 1pcs

Stage Platforms - Legs - Accessories

Equipment	Quantity	Description
Stage Platform 2.00m X 1.00m	100	A robust stage platform with corner attachments for plug-in legs or height-adjustable telescopic legs. Cover Plate: 22 mm beech wood core board with an acrylic cherry wood glaze Max Load Capacity: 500 kg/m²
Stage Platform 1.00m X 1.00m	40	A robust stage platform with corner attachments for plug-in legs or height-adjustable telescopic legs. Cover Plate: 22 mm beech wood core board with an acrylic cherry wood glaze Max Load Capacity: 500 kg/m²
Stage Platform 1.00m X 1.00m (For Outdoor Use)	34	A robust stage platform with corner attachments for plug-in legs or height-adjustable telescopic legs. Coverplate: 21mm betofilm sagre surface. Max weight: 500Kg/m²
Stage Platform 1.00m X 1.00m (For Outdoor Use)	2	A robust stage platform with corner attachments for plug-in legs or height-adjustable telescopic legs. Coverplate: 21mm betofilm sagre surface. Max weight: 500Kg/m²
Stage Platform Special Size 2.00m X 0.50m	6	A robust stage platform with corner attachments for plug-in legs or height-adjustable telescopic legs. Cover Plate: 22 mm beech wood core board with an acrylic cherry wood glaze Max Load Capacity: 500 kg/m²
Stage Platform Special Size 1.50m X 0.50m	1	A robust stage platform with corner attachments for plug-in legs or height-adjustable telescopic legs. Cover Plate: 22 mm beech wood core board with an acrylic cherry wood glaze Max Load Capacity: 500 kg/m²
Stage Platform for Stairs 1.0m x 0.30m	14	The stage platform with leg attchment corners for plug-in legs or height-adjustable telescopic legs. Coverplate: 22 mm beech wood.
Stage Platform for Stairs 1.0m x 0.30m (For Outdoor Use)	2	The stage platform with leg attchment corners for plug-in legs or height-adjustable telescopic legs. Coverplate: 21mm betofilm. Sagre surface.
Stage Platform Special Size 1.0m x 0.50m	10	The stage platform with leg attachment corners for plug-in legs or height-adjustable telescopic legs. Cover plate: 22 mm beech wood.
Plug-in Legs 0.20m	400	Plug in legs for platform height 20 cm made of aluminium inserted PVC foot caps for load distribution.
Plug-in Legs 0.40m	400	Plug in legs for platform height 40 cm made of aluminium inserted PVC foot caps for load distribution.
Plug-in Legs 0.60m	400	Plug in legs for platform height 60 cm made of aluminium inserted PVC foot caps for load distribution.
Plug-in Legs 0.20m	80	Telescopic legs for platorm 20cm height made of aluminium, infinitely height adjustable. inserted PVC foot caps for load distribution
Plug-in Legs 0.40m	80	Telescopic legs for platorm 40cm height made of aluminium, infinitely height adjustable. inserted PVC foot caps for load distribution
Plug-in Legs 0.60m	400	Telescopic legs for platorm 60cm height made of aluminium, infinitely height adjustable. inserted PVC foot caps for load distribution
Plug-in Legs 0.30m	80	Telescopic legs for platform 30cm height made of aluminum, infinitely height adjustable. inserted PVC foot caps for load distribution. Up to 0.45cm.
Plug-in Legs 0.80m	30	Telescopic legs for platorm 80cm height made of aluminium, infinitely height adjustable. inserted PVC foot caps for load distribution
Connection Brackets	180	Connection brackets for stable connection of platforms to the platform
Railing for Stages	48	Versatile and durable modular railing system designed for performance stages, offering safety and support without obstructing the view.

Stands - Podiums

Musicians Stands
Adjustable Height
0.50m x 0.34m x 0.90m - 1.37m
Quantity: 80pcs

Conductors Stand
Wood and Metal
Adjustable Height
0.60m x 1.10m - 1.52m
Quantity: 1pc

Conferences and Events Podium (Blonde)
Wood and Metal
0.70m x 0.75m x 1.02m
Quantity: 1pc

Conferences and Events Podium (Dark)
Wood and Metal
0.70m x 0.75m x 1.02m
Quantity: 1pc

Musicians Stands Type 52Q1
Metal
Adjustable Height
0.50m x 0.90m - 1.55m
Quantity: 30pcs

Conductor Stand Type 52Q1
Metal
Adjustable Height
1.00m x 1.0mm - 1.30m
Quantity: 1pc

Screens - Fabrics

Equipment	Quantity	Dimensions
House Curtain	2	15.00m X 9.00m
Screen at the Main Stage	1	10.70m X 6.00m
Screen at Upper Stage	1	6.00m X 2.50m
Black Screen	1	12.00m X 8.00m
Grey Blue Screen	1	17.00m X 9.00m
Stage Traveller at the Main Stage	2	10.00m X 9.00m
Black Curtain	2	10.00m X 9.00m
Black Out Curtain (Panorama) At the Main Stage	2	15.00m X 9.00m
White Mesh Fabric	1	19.00m X 9.00m
Legs	24	3.60m X 9.00m
Borders A	6	18.00m X 3.00m
Borders B	4	18.00m X 4.00m
Borders C	4	7.00m X 3.00m

Linoleum - Black Box

Linoleum Main Stage

On the main stage there's the capability of covering the floor area of 14.00m X 15.00m ( 7 rolls of 2.00m X 15.00 each) with linoleum of black or white colour.

Linoleum / Black Box Upper Stage

The floor is covered with black linoleum but it can be covered with white colour. Additionally on the small stage there's a black box which can be replaced by a white box too.

Translation Booth - Ballet

Translation Booth P1481

1.60m X 1.60m x 2.00m Standard Dimensions
2.40m X 1.60m x 2.00m Extended Dimensions
Quantity: 2pcs

Ballet Equipment

Dimensions: 3.00m X 1.05m Height
Quantinty Base: 26pcs
Quantinty Bars: 12pcs>

Miscellaneous Equipment

Black Theater Quintes

Dimensions: 1.50m X 2.50m
Quantity: 21pcs

Black Theater Quintes with Door

Dimensions: 1.50m X 2.50m
Quantity: 3pcs

Pipes with Screw Thread

40x 3.00m Long
8x 2.00m Long
8x 1.00m Long

Electrical Equipment

Main Stage

General Information

At the Onassis Stegi Theatres, the electrical supply is managed through two distinct systems: a three-phase system (400V/50Hz) and a single-phase system (230V/50Hz). The three-phase system powers lighting, motors, and flybars, while the single-phase system supplies equipment related to image and sound. This separation is implemented to prevent interference with sensitive loads caused by harmonic distortion. Critical loads that require automatic restarting after a power failure, such as consoles and computers, are supported by UPS systems. If external productions require these features, please inform us in advance and inquire about availability.

508 dimming channels: 2.5kW

128 no dimming channels: 2.5kW

18 no dimming channels: 5kW

21 dimming channels: 5kW

In the technical report above, the most important information you need to know about the electrical part of the theatres was noted.All work is carried out by licensed electrical installers and electrical engineers belonging to the technical staff of the theatre, in accordance with international regulations and standards.

ADB Eurodim Twin-Tech Cabinet

Upper Stage

General Information

152 dimming channels: 2.5kW

32 non dimming channels: 2.5kW

Equipment

Portable Dimmers

Portable dimmers of 2.5kW and 5kW.

ADB Eurodim Cabinet

Powerboxes

Powerbox 5X32in -6X1X16A out with separate RCBOs 30ma Description: One

One to three way CEE 1X16A

One to two way CEE 1X16A

Power Distribution Box
5x63A to 3x1x32A and 5x63A to 6x1x16A with 30mA RCBOs

Schuko Socket Outlet

PowerBox SVE5-4 IN-5x125A - OUT - 1 Χ 5x63A - 3 Χ 24x16A - 3 Χ 19 Pin

Power Distribution Box
5x32A to 6x1x16A CEE or schuκο with RCBOs

Powerbox 1X32A to 6x1x16A

Shuko socket outlet

Shuko reel socket outlet

Extensions Cables

Extension cable 5Kw and 2,5 kW CEE

Extension Cable PowerCon 16A

Extension Cable 5X32A

Extension Cable 5X63A

Socapex

Socapex 19-Pin Cable

Socapex 19-Pin Male
16A Female 2.5mm Fan-Out Cable

Socapex 19-Pin female
16A male 2.5mm Fan-in Cable

Socapex 19-Pin female
16A male 2.5mm Fan-in Cable (Schuko)

Adaptors EU/UK/USA

Transformer

Adaptor male CEE 1X16A to Schuko female

Adaptor male Schuko to female CEE 1X16A

Adaptor schuko to UK

Adaptor schuko to USA

Cable Covers

We can provide two types of cable covers seen below

Type 1

Type 2

Wall Mounted Panels

Around the perimeter of the theatre stage there are wall-mounted electrical panels for the distribution of various electrical supplies.

Type 1 Female outlet 5X63A

Type 2 Female outlet 5X125A

Type 3 Female outlet 5X32A

Type 4 Female outlet 3X32A

Type 5 Female outlet 3X16A

Plans

2D Plans

All the 2D Plans

General Information

Hospitality

Dressing Room

Clean, dry, well lighted and heated/air conditioned dressing room withchairs, table and a mirror.

Washing Room

Washing Machines: 4

Dryers: 2

Steamers: 2

Ironboards: 1

Clothing Racks: 12

Hangers

Sewing Machine

Towels

Detergents

Catering

On arrival of artists to be provided in the dressing room: mineral water, coffee (with sugar, milk), some sandwiches. Promotor will also provide dinner or give a cash buy-out.

Technical Team

Administration

Name	Job Title	Department	Email
Antonis Kokkoris	Technical Director	Administration	a.kokoris@onassis.org
Giannis Ntovas	Deputy Technical Director	Administration	j.ntovas@onassis.org
Revecca Stamos	Administrative Assistant	Administration	r.stamou@onassis.org
Alexios Politis	Chief Sound Engineer	Technical	a.politis@onassis.org
Iakovos Darzentas	Chief Stage Engineer	Technical	i.darzentas@onassis.org
Panagiotis Hajisavas	Chief Video Engineer	Technical	p.hajisavas@onassis.org
Vangelis Mountrichas	Chief Lighting Engineer	Technical	vmountrichas@onassis.org
Pavlos Pappas	Senior Lighting Engineer	Technical	p.pappas@onassis.org
Fotis Andrianopoulos	Head of Electrics and Stage Automation	Technical	f.andrianopoulos@onassis.org
Stratos Toganidis	Senior Video Engineer	Technical	e.toganidis@onassis.org
Thodoris Tsachalos	Senior Audio Engineer	Technical	t.tsachalos@onassis.org
Stelios Bourdis	Senior Stage Engineer	Technical	s.bourdis@onassis.org
Vasia Christodoulou	Chief Stage Manager	Technical	vchristodoulou@onassis.org
Natalia Voria	Stage Manager	Technical	nvoria@onassis.org
Katerina Kotsou	Stage Manager	Technical	kkotsou@onassis.org
Melina Lorkidi	Stage Manager	Technical	mlorkidi@onassis.org

*Disclaimer: The information provided on this website, is subject to change without notice. While we strive to keep all details accurate and up-to-date, variations may occur due to factors such as technical maintenance, scheduling conflicts, or unforeseen circumstances beyond our control. Therefore, the products and services offered on this website may differ from what is currently displayed or described. We apologize for any inconvenience this may cause and encourage visitors to verify specific details directly with the relevant parties before making any arrangements.

Main Stage

Upper Stage

Exhibition Hall

Underground Car-Parkings Areas

How to Get to Onassis Stegi

By Bus or Trolley-Bus

By Metro

By Car

Accessibility

Ramp Area

External Role in the ramp area

Internal Role in the ramp area

Ramp Lift

Main Stage Doors

Sliding Door

Double Leaf Doors

Upper Stage Doors

Double Leaf Doors

Back of House

Glass Doors of 5th Floor Corridors

Venue Lifts

Cargo Lift

Leontioy Street Lift

Galaxia Street Lift

Undeground -9 Lift

Smoke Management System

Overview

Working Hours

Work Rules

Operation of Venue Equipment

Rigging and Stage Sets

Set and Prop Fabrication

Unsupervised Minors

Production Personnel Only

Work Schedules

Control Room

Auditorium Stalls Position

All equipment is shared between both stages, except for items that are permanently installed.

Stage Managers Console

Master Unit

Total Sub Stations

Total Headsets

Total Radio Units in-house

Control Room

All equipment is shared between both stages, except for items that are permanently installed.

Stage Managers Console

Master Unit

Stage Flybars

Horizontal Beams/Bars:

Side Bars:

Backstage Bars:

Auditorium Flybars/Winch:

Trekwerk TNM Controllers

Chain Hoist

Linoleum Main Stage

Linoleum / Black Box Upper Stage

Translation Booth P1481

Ballet Equipment

Black Theater Quintes

Black Theater Quintes with Door

Pipes with Screw Thread

General Information

General Information